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	<title>Lev Raphael &#8211; Jewcy</title>
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	<title>Lev Raphael &#8211; Jewcy</title>
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		<title>Rewriting Edith Wharton&#8217;s Jew</title>
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		<dc:creator><![CDATA[Lev Raphael]]></dc:creator>
		<pubDate>Tue, 17 May 2011 15:03:03 +0000</pubDate>
				<category><![CDATA[Homepage Slot 3]]></category>
		<category><![CDATA[LOS ANGELES]]></category>
		<category><![CDATA[NEW YORK]]></category>
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					<description><![CDATA[<p>Taking a new look at a Jew from the Gilded Age. </p>
<p>The post <a rel="nofollow" href="https://jewcy.com/homepage-slot-3/edith_wharton_jew">Rewriting Edith Wharton&#8217;s Jew</a> appeared first on <a rel="nofollow" href="https://jewcy.com">Jewcy</a>.</p>
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										<content:encoded><![CDATA[<p><a href="http://www.jewcy.com/wp-content/uploads/2011/05/Wharton.jpg" class="mfp-image"><img class="alignnone size-full wp-image-84540" title="Wharton" src="http://www.jewcy.com/wp-content/uploads/2011/05/Wharton.jpg" alt="" width="451" height="271" srcset="https://jewcy.com/wp-content/uploads/2011/05/Wharton.jpg 451w, https://jewcy.com/wp-content/uploads/2011/05/Wharton-450x270.jpg 450w" sizes="(max-width: 451px) 100vw, 451px" /></a></p>
<p>Edith Wharton didn&#8217;t think F. Scott Fitzgerald&#8217;s <em>The Great Gatsby </em>was a perfect book, and she told him so. But his anti-Semitic portrait of Meyer Wolfsheim, now <em>that</em> was perfect, even &#8220;masterly.&#8221;</p>
<p>What did Wharton know from Jews?  Well, over a decade before she&#8217;d created her own “perfect” Jew Simon Rosedale in her bestseller <em>The House of Mirth</em>.  Rosedale is pure stereotype: rich, unctuous, vulgar, shifty-eyed, and beneath contempt, even though people hope he&#8217;ll give them stock market tips so they can get rich, too.</p>
<p>Rosedale&#8217;s portrait has nagged at me for years because <em>The House of Mirth</em> is  one of my favorite Gilded Age novels.  It&#8217;s witty, beautifully written, and devastatingly honest about a New York that was  drowning in wealth, crazed with pleasure, and addicted to conspicuous consumption.  Sound familiar?</p>
<p>I&#8217;ve also  never read such a fierce exploration of the power of shame in fiction.  Scandal-plagued, poor Lily Bart is completely dependent on rich  friends who take advantage of her any way they can.  One even uses her as a beard for an affair and then tosses her overboard almost literally, turning her into a social pariah in New York.  Ironic that Wharton could explore shame so deftly in a novel that shamed me because of its  Jew-hatred.</p>
<p>I suppose I could have forgotten <em>The House of Mirth</em> and just shrugged her off as another WASP writer stewing in her class prejudices.  But I enjoy Wharton&#8217;s work too much, have written about it and even taught her fiction over the years.  And <em>The House of Mirth</em> is just too powerful a book to ignore.</p>
<p>An answer finally hit me:  subvert Wharton by writing <em>Rosedale&#8217;s</em> book.  Wharton says almost nothing about who he really is, so why  couldn&#8217;t I fill in the blanks and tell her story <em>my</em> way? Because Wharton left almost everything jewcy out, that meant I had free reign to write a Jewish version of her story.</p>
<p>I haven&#8217;t made Simon Rosedale a saint in my novel. But I&#8217;ve given him a life, a past, a family, dreams, fears, regrets.  He isn&#8217;t perfect, but he&#8217;s no stereotype.</p>
<p>Is it revision, is it revenge?  I call it <a href="http://www.levraphael.com/rosedale.html" target="_blank"><em>Rosedale in Love</em></a>.</p>
<p>The post <a rel="nofollow" href="https://jewcy.com/homepage-slot-3/edith_wharton_jew">Rewriting Edith Wharton&#8217;s Jew</a> appeared first on <a rel="nofollow" href="https://jewcy.com">Jewcy</a>.</p>
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