Rachel Berry moved to New York and we stopped watching, Annie Edison and the rest of Community was pushed to 2013 (though that didn’t stop us from getting our Alison Brie fill in other ways, and we’re still confused about how we feel about Shosh (but not Zosia, never Zosia) making 2012 very much the year of men for our Network Jews series (with sincere apologies to Hanna Rosin).

While there were many worthy candidates, here are the Top 5:

1. Schmidt:

Our first Network Jew is also our favorite. While we remain mixed about the merits of New Girl (even if it did lead to this) we can always rely on the real star of the show: Schmidt. He may have started out as a douchebag, but somewhere along the line he’s become, as Willa Paskin dubbed him, an “aspirational douchebag”—somehow going from disgusting to endearing.

Of course a major part of all this is his Jewishness. But perhaps the best part is that the actor who plays him, Max Greenfield, is up for anything, whether it’s dressing up as a Jewish Assassin or making in-character spin videos. Let’s just hope he stops guest–editing GOOP.

2. Saul Berenson:

Dov Friedman called Mandy Patinkin’s turn as the CIA Middle East division chief “the most accurate depiction of an American Jewish identity ever portrayed on television.” And for good reason. Homeland finished off it’s second season [spoiler alert] with Saul saying kaddish yet again as David Estes and a whole bunch of other characters were blown to smithereens. It isn’t just Claire Danes who thinks of challah (or was it holla?) when she sees our favorite bearded CIA agent. Just watch this video.

OK, we may be getting distracted, we’re talking about Berenson, not Patinkin, though it can be difficult to separate the two. Inspired by the Israeli show—and some would say superior—Hatufim, there’s at least one place where there’s no competition: the character of older, wiser intelligence officer. We only hope that in Season 3 they figure out some way to let him sing.

3. Max Blum:

Probably the most underrated show on this list, Happy Endings’ six-person ensemble is held together by Max Blum. I know, I know. We just talked about how great Schmidt is, and here we’re saying that Happy Endings’ anti-Schmidt is also our favorite. You know what, we can have our cake and eat it too … with Max, while listening to Mandona.

The pop culture-obsessed sarcastic slob of a gay best friend is everything you’d want in a pop-culture obsessed sarcastic slob of a gay best friend. Don’t just take our word for it, Emily Nussbaum thinks the man who brought us Boyz II Menorah is Amahzing too.

4. Eli Gold:

The Good Wife may have started out as an Eliot Sptizer-style, ripped from the headlines, procedural-style show, and it might still be that, but somehow it rises above. While there’s lots to say about the shows women, and even Jewcy favorite Josh Charles, the biggest surprise has to be Alan Cumming’s Jewish turn as Eli Gold.

As Abe Fried-Tanzer wrote, “It’s no coincidence that Gold has been compared to a real-life famous Jew with a similar profession. Rahm Emanuel, former Chief of Staff for President Obama … has quite a reputation for winning at all costs, and Gold has managed to earn that same status in what could easily have been (and originally was) merely a guest-starring role. Gold may reinforce the stereotype of Jews wanting all the power, but he’s definitely someone you’d want on your side.”

5. Ruxin:

There’s no getting around it: Nick Kroll’s Ruxin is a self-assured asshole. (In one episode, Ruxin defends a paint company whose cans explode by arguing that anyone buying such a cheap item should have “a reasonable expectation that that product will explode in your face.” “And, morally, you’re good with this?” asks his friend, Pete. “There was just one word in there that I am not familiar with,” Ruxin responds.) But, for Sala Levin, this is all the more reason to love him—and love him we do!

After all, “A man who coasts through life on his assimilated rudeness but maintains some iota of his people’s historical dread is, after all, every girl’s dream.”

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If you’re the type of person who likes to compare all your friend-filled sitcoms to Friends, you might want to dismiss Max Blum (Adam Pally) as a classic Joey. The writers of Happy Endings are on to you and have already made that joke, calling him fat Joey. But he’s also gay Joey, funny Joey, and most importantly, Jewish Joey—he’s also just plain better than Joey. Yes the Happy Endings pilot was about as bad as a Jennifer Aniston rom-com (it even starts with a runaway bride—yep, just like Friends), but, if you stuck around, you’d know that the show is truly amahzing.

Happy Endings is a six character ensemble comedy (yep, just like Friends) with four great characters (in addition to Pally, Eliza Coupe and Damon Wayans Jr. play a hilariously eccentric couple and Casey Wilson—who was dismissed from SNL after one season—plays an aggressively single abbreviator) and two not-as-good characters (the runaway bride Elisha Cuthbert and her former fiancé Zachary Knighton haven’t completely found their groove just yet). In a show like this there’s always the schlubby, less successful, but ultimately more entertaining character: that’s Max. He’s done everything from buying a limo and driving around Chicago as an unlicensed tour guide to competing with Coupe’s character Jane to see who would survive longer in the event of a zombie apocalypse. In a recent episode we also learned that Max hibernates for the winter, just like a bear: he won’t shave, he won’t shower, he won’t even speak. You know, normal things.

Since we started with the Friends comparison, we might as well continue with a New Girl one: The mostly jobless, chubby Max is the anti-Schmidt. Instead of wearing trendy running shorts, Max will stage an intervention to get you to stop wearing your deep v-neck. Instead of worrying about his physique, Max will get a tattoo of a taco to ensure free tacos for life. As much as I love Schmidt for his insanity, I’d love making fun of him even more with a friend like Max. Despite that, or perhaps because of that, Emily Nussbaum (who is basically Jewcy’s TV spirit guide) said she would want to be him if she could be any character on TV. (Well, after Leslie Knope from Parks and Recreation, but who doesn’t want to be Amy Poehler?).

No profile of a good Jewish boy would be complete without mentioning his mother, and we do get to meet Max’s parents on their annual visit to Chicago in the first season. The episode, called Mein Coming Out, focuses on Max’s hesitation to come out to his parents. His sexuality is a running joke on the show: the other characters often mock his total lack of “gayness,” asking him if he’s sure he’s gay after a particularly bro-y comment or action (there are many). This conveniently lets the show’s writers remind the audience that not only do they have a black character (and an interracial couple!), but they have a gay Jewish one too. While I’m often tempted to be slightly offended by their not-so-subtle reference to popular stereotypes, somehow, it seems to work. Their poking fun at Max’s sexuality just demonstrates how it is a footnote in his personality, hardly the most obvious (or interesting) thing about him.

Back to the episode—it is, of course, full of all the Yiddishisms a person could want: You got punim, shiksa, even pish. Wilson’s character, Penny, who in the past had posed as Max’s girlfriend, can’t help him out because she has a date. (Completely unrelated to Max, save an excellent end-of-the-episode punch line, Penny date is named Douglas Hitler.) In a state of desperation, Max asks Jane to help him out, later explaining, “My mom is Jewish, if I don’t find someone soon, she’s going to start setting me up with one of her friend’s single daughters … Try going on a six-hour architectural tour with Miriam Schechter’s niece, Chuchel.” (For the record, we’ve never met anyone named “Chuchel,” though we’re rather fond of the name Miriam.) After a series of events, he does ultimately come out to his parents, and on cue his mother tries to set him up with the son of one of her friends.

Sadly the excellent Krav Maga episode (in which Penny develops an alter ego, “Shira Abromovitz”) does not feature any martial arts moves by Max, but does feature a classic Happy Endings-style explanation of Yoni that I feel like sharing: Hebrew for god’s gift, in Sanskrit, means genitals. The show is very invested in this name-dropping brand of Judaism, and Max is an excellent vehicle for sharing them. It’s difficult not to notice the three-letter Hebrew tattoo on Pally’s chest spelling out “Asher,” (something he’s chalked up to as a childhood mistake) and the show runs with it. In response to the earlier-mentioned taco tattoo, Jane, demonstrating her Jewish wisdom, proclaims “Wow, you really don’t want to be buried in a Jewish cemetery” (Urban legend!). At the end of the episode in which he buys the limo, Max presents his rent money with a story about selling his beanie babies and driving Dr. and Mrs. Rosenberg back and forth to shul in time for havdala (“by the way, Jews are actually excellent tippers”).

If that’s not enough to convince you of Max’s glory, I’ll just leave you with this Season 2-ending performance by Mandonna:

Previously on Network Jews:

Seth Cohen, The O.C.’s loveable dork

Hesh Rabkin, Jewish Loan Shark on The Sopranos

Eli Gold, The Good Wife’s Political Operator

The post Network Jews: Max Blum from Happy Endings appeared first on Jewcy.