The League is highly entertaining. What it lacks in emotion it makes up for in grand laughs. It’s the kind of show you want to watch when you’re freaking out about something, say, your graduate school’s ostentatious career fair. While everyone is talking and talking and talking about which news magazine’s booth they’re going to attend and impress, you run home and watch an episode of The League under your covers in the dark. It happens…

But, some people can’t relate to the show because of its hyper-masculine plot lines. It is, in fact, a show about fantasy football—the characters spend endless time discussing hefty NFL players, sex jokes are aplenty, and if it weren’t for Katie Aselton’s character (she plays Kevin’s (Stephen Rannazzisi) wife), the female presence on the show would be comprised of hot girls in bars and Ruxin’s (Nick Kroll) sexy but not interesting wife, Sofia (Nadine E. Velazquez).

Enter Julie Klausner at Vulture.

Football isn’t Julie Klausner’s cup of tea, so when she got together with some of the show’s stars — Katie Aselton, Mark Duplass, Steve Rannazzisi, and Paul Scheer — she put a twist on their show’s concept: Instead of picking dudes to play on fantasy teams, she made them draft fantasy TV-show casts from a long list of television’s greatest female characters. Heated battle ensued.

Watch and enjoy and let Vulture know which team you think will win the ship—maybe they’ll win the Shiva trophy.

Previous: The Most Jewish Episodes Of Julie Klausner’s How Was Your Week Podcast

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• Landmarked Lower East Side synagogue Beth Hamedrash Hagadol is seeking permission to demolish the structure and rebuild as a mixed-use building with a synagogue on the ground floor. [Curbed]

• Our friends at the Gefilteria get some love from the New Yorker. [New Yorker]

• Are the Apatows line cutters? [Grub Street]

• Delia Ephron vs. J.Crew, round 2. [WWD]

• Jack’s Wife Freda, the South-African and Israeli-inspired SoHo brunch hotspot, has applied for a liquor license. [Grub Street]

• Nick Kroll, last seen as Network Jew all-star Ruxin from The League, has his own sketch comedy show airing on Comedy Central early next year. [Interview]

Here’s Kroll’s favorite Hanukkah memory, via Funny or Die:

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Rachel Berry moved to New York and we stopped watching, Annie Edison and the rest of Community was pushed to 2013 (though that didn’t stop us from getting our Alison Brie fill in other ways, and we’re still confused about how we feel about Shosh (but not Zosia, never Zosia) making 2012 very much the year of men for our Network Jews series (with sincere apologies to Hanna Rosin).

While there were many worthy candidates, here are the Top 5:

1. Schmidt:

Our first Network Jew is also our favorite. While we remain mixed about the merits of New Girl (even if it did lead to this) we can always rely on the real star of the show: Schmidt. He may have started out as a douchebag, but somewhere along the line he’s become, as Willa Paskin dubbed him, an “aspirational douchebag”—somehow going from disgusting to endearing.

Of course a major part of all this is his Jewishness. But perhaps the best part is that the actor who plays him, Max Greenfield, is up for anything, whether it’s dressing up as a Jewish Assassin or making in-character spin videos. Let’s just hope he stops guest–editing GOOP.

2. Saul Berenson:

Dov Friedman called Mandy Patinkin’s turn as the CIA Middle East division chief “the most accurate depiction of an American Jewish identity ever portrayed on television.” And for good reason. Homeland finished off it’s second season [spoiler alert] with Saul saying kaddish yet again as David Estes and a whole bunch of other characters were blown to smithereens. It isn’t just Claire Danes who thinks of challah (or was it holla?) when she sees our favorite bearded CIA agent. Just watch this video.

OK, we may be getting distracted, we’re talking about Berenson, not Patinkin, though it can be difficult to separate the two. Inspired by the Israeli show—and some would say superior—Hatufim, there’s at least one place where there’s no competition: the character of older, wiser intelligence officer. We only hope that in Season 3 they figure out some way to let him sing.

3. Max Blum:

Probably the most underrated show on this list, Happy Endings’ six-person ensemble is held together by Max Blum. I know, I know. We just talked about how great Schmidt is, and here we’re saying that Happy Endings’ anti-Schmidt is also our favorite. You know what, we can have our cake and eat it too … with Max, while listening to Mandona.

The pop culture-obsessed sarcastic slob of a gay best friend is everything you’d want in a pop-culture obsessed sarcastic slob of a gay best friend. Don’t just take our word for it, Emily Nussbaum thinks the man who brought us Boyz II Menorah is Amahzing too.

4. Eli Gold:

The Good Wife may have started out as an Eliot Sptizer-style, ripped from the headlines, procedural-style show, and it might still be that, but somehow it rises above. While there’s lots to say about the shows women, and even Jewcy favorite Josh Charles, the biggest surprise has to be Alan Cumming’s Jewish turn as Eli Gold.

As Abe Fried-Tanzer wrote, “It’s no coincidence that Gold has been compared to a real-life famous Jew with a similar profession. Rahm Emanuel, former Chief of Staff for President Obama … has quite a reputation for winning at all costs, and Gold has managed to earn that same status in what could easily have been (and originally was) merely a guest-starring role. Gold may reinforce the stereotype of Jews wanting all the power, but he’s definitely someone you’d want on your side.”

5. Ruxin:

There’s no getting around it: Nick Kroll’s Ruxin is a self-assured asshole. (In one episode, Ruxin defends a paint company whose cans explode by arguing that anyone buying such a cheap item should have “a reasonable expectation that that product will explode in your face.” “And, morally, you’re good with this?” asks his friend, Pete. “There was just one word in there that I am not familiar with,” Ruxin responds.) But, for Sala Levin, this is all the more reason to love him—and love him we do!

After all, “A man who coasts through life on his assimilated rudeness but maintains some iota of his people’s historical dread is, after all, every girl’s dream.”

The post The Best of Network Jews 2012 appeared first on Jewcy.

• Behold: Allen Ginsberg’s borscht recipe. [Brain Pickings]

• Looks like bacon isn’t going away anytime soon. [TIME]

• A look at Jeremy Piven as Mr. Selfridge. [Esquire]

• Scroll man Adam Chandler revisits his teenage days, where troublemaking Jewish Texans literally stole Baby Jesuses from front lawns. [Tablet]

• Larry King survived a Twitter death hoax. [Twitter]

• Nick Kroll, aka Ruxin from The League, is one half of PubLIZity, our favorite new fake reality show. The other half? Jenny Slate.

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A confession: I have a crush on Ruxin. There, I said it. Yes, Rodney Ruxin (Nick Kroll), the Jewish products-liability attorney on The League, is an insufferable jerk. Yes, he seems willing to go to great lengths to humiliate and sabotage his friends. Yes, his morals seem, well, flexible. (In one episode, Ruxin defends a paint company whose cans explode by arguing that anyone buying such a cheap item should have “a reasonable expectation that that product will explode in your face.” “And, morally, you’re good with this?” asks his friend, Pete. “There was just one word in there that I am not familiar with,” Ruxin responds.)

So, yes, I know that I should be embarrassed about my crush. “I can’t even unpack that,” one friend responded when I told her about my attraction. Well, I can. Maybe what’s attractive about Ruxin is that he’s part of a rebranding of the Jewish man: not the nerdy, nervous nebbish of yesteryear but a cocky, self-assured asshole.

Ruxin’s loutishness sometimes plays off his Jewishness. In one memorable episode, he hosts a Sukkot party in an attempt to butter up the Jewish preschool teacher to improve his son’s chances of being accepted. “Wonderful news to fill your pathetic social calendars,” Ruxin warmly says by way of announcing the party to his friends. “Since when does Sofia allow you to celebrate Judaism in your house?” one buddy asks, referring to Ruxin’s decidedly non-Jewish wife. “Forget Sofia, since when do you allow Judaism in your own house?” asks another. Well, ever since baby Geoffrey needed to get into a good preschool, of course. Ruxin warns his friends not to park in his driveway, which has a pothole; when he hears that the city will expedite cleanup on racially insensitive graffiti, he spray-paints a swastika on his own driveway. In poor taste, sure, but the man knows how to get things done, even if it means, you know, appropriating a Nazi symbol.

That’s what’s liberating—and appealing—about Ruxin: his brazen boorishness isn’t bound up with his Jewishness. Unlike Jewish putzes of the past—slimy lawyers like The Wire’s Maurice Levy or cripplingly analytical men in the Alvy Singer mold—Ruxin’s bad behavior exists independently of his Jewishness. He knows it, too: “If I did look inward, which I won’t,” he says, “I think we would find that my Judaism would be the least objectionable thing about me.” You have to like a guy who doesn’t engage in the kind of endless introspection typically characteristic of Jews in popular culture, or one who doesn’t view his Jewishness as a burden or a mark of Cain, forever setting him apart. See what assimilation has wrought—a man can just be a jerk like everyone else.

But Ruxin isn’t without some ancestral anxiety. He is, in some ways, a product of his people. In a fit of cold feet before he marries the Catholic, Hispanic Sofia, Ruxin blurts out, “I’m worried that her family full of conquistadors is going to round up my whole family and stick us in a basement and put yellow stars on us.” Even here, it’s clear that Ruxin’s Jewishness is nominal at best; mixing a touch of Inquisition-era worries with a healthy dollop of Holocaust neurosis, Ruxin’s sense of Jewish history is a jumble of victimization across time and geography. Being Jewish, for Ruxin, is merely being subject to the occasional moment of deep-rooted paranoia—but not so deeply rooted that it can’t be soothed, in this case, by the reassurance of knowing that he is marrying a very attractive woman. Sexy, right? A man who coasts through life on his assimilated rudeness but maintains some iota of his people’s historical dread is, after all, every girl’s dream.

Jewish jerks aren’t new. And they’re generally not attractive—no one swoons over Shylock. But Ruxin’s different; his Jewishness is refreshingly tangential to his coarseness, one of many facts about Ruxin instead of his defining fact. Also, when he thinks he’s home alone, he sings about eating crackers and jelly in the goofiest voice imaginable. It’s kind of adorable.

Previously on Network Jews:

Tommy Pickles, the heroic cartoon baby on Rugrats.

Willow Rosenberg, the lesbian witch on Buffy the Vampire Slayer.

Andrea Zuckerman, the brainy girl on Beverly Hills, 90210

The post Network Jews: Ruxin, The Fantasy Football-Obsessed Jerk on ‘The League’ appeared first on Jewcy.

• A still from Annie Hall, in the exact place the scene was filmed. [Vanity Fair]

• Jewcy pal Marc Tracy predicts that thanks to statistician Nate Silver, political statisticians will learn a lot from sports statisticians. [TNR]

• How a Jewish kid from Brooklyn became the godfather of X-rated animation in the 1970s and paved the way for South Park. [Tablet]

• Seth Rogen and Jeff Goldblum will reprise their guest roles on The League. You know, Dirty Randy and Rupert Ruxin. [Hollywood Reporter].

• Big Jewcy Julie Klausner breaks down the New York Magazine approval matrix. [Vulture]

• It’s HERE: the Girls Season 2 trailer. As Shoshanna says, OMFG:

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