The subtext is we should have stayed out of Afghanistan, too.
In addressing the issue of the U.S. role as both world policeman and a credible force for good, Carnahan's screenplay thus takes three clearly defined avenues of approach: the practical (Rodriguez-Finch), the political (Irving-Roth) and the philosophical (Malley-Hayes). All three avenues, however, lead nowhere in particular. The first moves from the gung-ho through military bungling to personal, useless sacrifice; the second through point-by-point confrontation to ultimate resignation; and the third ends vaguely, with only a glimmer of hope.
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The camera work heightens this loss of individuality by filming everyone from the back or side whenever there is action, so close you can’t tell who is doing what, or were in relation to other people they are doing anything with.
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