What the newest film by Lebanese director Ziad Doueiri reveals about the aftermath of terror attacks
A new documentary about the 80-year-old reveals a writer still very much obsessed with death
Why ‘Argo’ and ‘Zero Dark Thirty’ aren’t the year’s most important geopolitical films
A decade after ‘Yossi & Jagger,’ we’re reintroduced to a changed—but still grieving—protagonist
Why you should love the status-obsessed co-founder of the short-lived company Entertainment 720
From Lena Dunham to Nathaniel and Simon Rich, navigating the thorny distinction of privilege
Why do we let Hollywood blockbusters like ‘Lincoln’ and ‘Zero Dark Thirty’ become our record?
The paradox of feeling defensive about a larger-than-life Jewish villain